多數(shù)人都住在城市，但是沒多墨子前，我們都來自農(nóng)村。可惜的是現(xiàn)代城市與鄉(xiāng)村已成為大相逕庭兩個(gè)世界。有多少人了解現(xiàn)在的村？又有多少人關(guān)心現(xiàn)代農(nóng)村的難處境？農(nóng)村不應(yīng)該是都市開發(fā)預(yù)備用地，更不是容納各種都市避設(shè)施的垃圾桶。農(nóng)村區(qū)域有其主性、神聖性，是一個(gè)健全國(guó)家續(xù)發(fā)展不可或缺的一部份?，F(xiàn)代村並非與都市或現(xiàn)代生活完全隔，在現(xiàn)代的科技與產(chǎn)業(yè)型態(tài)下，村如何維持其歷史、產(chǎn)業(yè)、空間文化、生態(tài)、景觀等特色，卻又時(shí)俱進(jìn)，已成為全世界政府極如犬的課題。公共電視《農(nóng)村的遠(yuǎn)見,TheEternalFarmVillages》系列紀(jì)錄片，將帶領(lǐng)觀眾走入世界各地的龍山村典。製作團(tuán)隊(duì)造訪了德國(guó)、荷蘭、國(guó)、日本、印尼與臺(tái)灣數(shù)個(gè)國(guó)景山藉由這些國(guó)家的農(nóng)村經(jīng)典典範(fàn)，發(fā)觀眾對(duì)自己農(nóng)村更多的想像，從這些心懷遠(yuǎn)見的農(nóng)民、居民與營(yíng)者打拼的故事中，看見農(nóng)村永發(fā)展的無限可能。擁有30年紀(jì)錄片製作經(jīng)驗(yàn)的寶花團(tuán)隊(duì)，耗時(shí)四，透過第一手的材料、優(yōu)美細(xì)膩4K影像、溫馨的人物與劣勢(shì)突圍的故事，云山領(lǐng)觀眾重回我們心靈故鄉(xiāng)。Mostofusnowliveincities;however,nottoolongago,mosthumanslivedinvillages.Unfortunately,moderncitiesandfarmingvillageshavebecomevastlydifferentworlds.Howwelldowereallyknowourvillagesnow?Doweevenpayattentiontothem?Villagesshouldnotberegardedasstill-to-bedevelopedcities,orwastedisposalsitesforurbanareas.Aself-regulatedfarmingvillagewithitsownsenseofvalueisindispensablefornationalsustainability.Theseparationoffarmingvillagesfromurbanormodernlifeisnotnecessaryorinevitable.Facingthechallengesofmoderntechnologyandindustry,itiscriticalforvillagestodevelopwithoutlosingtheiressentialnature.ThisPTSproductionof‘TheEternalFarmVillages’takestheviewertosomeoftheworld’smostexemplaryvillages.TheproductionteamvisitedGermany,theNetherlands,theUnitesStates,Japan,IndonesiaandTaiwan.Theinspiringvillagestheydiscoveredwillexpandourhorizons,andthestoriesofvisionaryfarmers,residentsandbusinessownersgiveusachancetoseehowsustainabilitycanbeachieved.With30yearsoffilm-makingexperience,BowwowProductionsspentfouryearsmakingthisdocumentaryseries.Combiningfirsthandmaterials,4Kresolutionfootage,charmingcharacters,andinspirationalstories,thevieweristransportedbacktothehometownsweallhavesomewhereinthebackofourminds.