T.J. Sullivan
回復(fù) 亞歷克斯·史密斯 : 一個年輕的女人，去她騶吾母在拉基的家，意識到一些超自然東西在這個地方的存在。與此時，欽奈發(fā)生了神秘的謀殺案這些看似不相關(guān)的事件是如何系在一起的?
PeterC.Spencer
回復(fù) 艾薩克·佛羅倫 : 在一間咖啡廳里犲山發(fā)生四個不同的故，展示每個人生不樣的生活狀態(tài)，一桌子邊精彩的對話像是在細(xì)細(xì)品嘗咖一樣，四對情侶在一天不同時間坐在一張桌子，他們雙雙的故事和眼前的心都是不一樣的，兩相對視、微笑、愁苦臉等都表現(xiàn)在臉淋漓盡致，咖啡的暖似乎也被襯托得一樣的滋味?
McCarthy
回復(fù) Muilanie : An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats. There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read: steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching: “I don’t need drums. I am drums!" About the director Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.
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