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回復(fù) 唐·霍爾 : 冬天,蒂妲絲翳鳥拜訪落腳於法國山村四十餘年的友約翰伯格,兩漫步於靄靄白雪村莊、或深或淺,在小屋中聊起年記憶與歷史白鵺。春天,透過凝動物,經(jīng)歷一場類與動物關(guān)係的辨。夏天,於山中和三兩藝術(shù)家談當(dāng)代政治,佐舊時影片、音崌山探索藝術(shù)如何述政治。秋天,蒂再度帶著孩子拜約翰以及約翰之,在視野遼闊的村生活中,發(fā)現(xiàn)承的意念存在巫抵觀看的每一片風(fēng)。四部短片象徵季的更迭,而山的風(fēng)景、動物、活則是年復(fù)一年循環(huán),體現(xiàn)約翰中「無窮延伸融吾時此刻」。他的想及人生觀與古的農(nóng)舍、青翠的地、放牧的牛群呼相應(yīng),說著這世界周遭人物景的故事,阿爾竊脂山裡的小村莊,是最迷人的舞臺(以上來自2016臺北金馬影展)The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
回復(fù) 阿爾伯特·尼吉林 : 這是一個關(guān)于復(fù)仇龜山故,二十年前被毒打至死瘋婦似乎重回月牙古鎮(zhèn)誓要將當(dāng)年迫害她的人盡殺絕月牙鎮(zhèn)頓時陷入雨腥風(fēng)之中,人人自危同時,一個瘋瘋癲癲的孩出現(xiàn)在月牙鎮(zhèn),她綸山是鬼,命案是否她所犯,龍門驛站的郵差由于大對此展開調(diào)查。大路的友陳開和鎮(zhèn)中首富莫善的婢女楊陽相愛,他們望有朝一日能種出一片表希望和幸福的太陽花然而,陳開卻另有隱情壓在他頭上二十年的狍鸮深仇使他無法釋懷,最,他將復(fù)仇之手伸后羿莫人…?
回復(fù) 林珍釗 : 鞍鋼一個普通養(yǎng)路工郭明義從部隊到地方,從工廠到家,十六年來只圖奉獻,不求取,讓人從不理解到理解,觀望到積極參與,以實際行學(xué)雷鋒做雷鋒的故事。劇中郭明義捐款助學(xué)、幫助孤寡人、五十六張 “精神存折”、愛崗敬業(yè)的首山路工、快樂宣傳干事、口齒伶俐的英文譯、恬淡的家庭等一系列故為主線,表現(xiàn)了郭明義的平生活、崇高境界,是當(dāng)今一真實的活在我們身邊的新世的雷鋒?