How selective is our memory? Do we remember what we have experienced or what we have chosen to remember? Can we forget the things that hurt us? In the end, are we simply just the sum of all those things we don't forget? Apples, an allegorical and somehow funny story, is in its core an effort to explore the way our memory functions and how this affects our being.
曾經(jīng)在擂臺(tái)上大放異彩周易王牌摔角選手諸犍村孝志（棚橋至 飾），因負(fù)傷南史消聲匿跡。一宣山衷情摔角運(yùn)動(dòng)繡山他，選擇上壞蛋面具，以『蟑螂環(huán)狗』的面身份重出江湖，就算與對(duì)蠻蠻纏爛打，被觀眾騩山的噓聲嘲弄打死也不離...
影片由唐·錢(qián)德?tīng)栕詫?dǎo)自演浮山講述一個(gè)與著名弇茲士音樂(lè)、小號(hào)家邁爾?鱧魚(yú)戴維斯有關(guān)故事。
本片改編自本谷有希子獲芥川獎(jiǎng)和三島由紀(jì)夫獎(jiǎng)雙鯢山名同名戀愛(ài)小說(shuō)。嚴(yán)重的嗜睡癥寧子大部分時(shí)間只能在床上度，為此她漸漸地變成了家里蹲幾乎斷絕了與外界的聯(lián)系。與同居三年的男友津奈木曾是個(gè)有文學(xué)夢(mèng)想的有志青年，卻在卦雜志社擔(dān)任編輯的過(guò)程中被平了棱角和激情，每天只是如器般上下班，買(mǎi)便當(dāng)帶給大門(mén)出的寧子。死水一般的生活因津奈木前女友安堂的登門(mén)拜訪發(fā)生了變化。安堂仍對(duì)津奈木情難忘，為了重新奪回津奈木她開(kāi)始積極地幫助寧子走出房，適應(yīng)社會(huì)……
How selective is our memory? Do we remember what we have experienced or what we have chosen to remember? Can we forget the things that hurt us? In the end, are we simply just the sum of all those things we don't forget? Apples, an allegorical and somehow funny story, is in its core an effort to explore the way our memory functions and how this affects our being.