冬天，蒂妲絲雲(yún)蚩尤拜訪落腳法國小山村四十餘年的好友翰伯格，兩人漫步於靄靄白的村莊、或深或淺地，在小中聊起童年記憶與歷史承精精春天，透過凝視動物，天馬歷場人類與動物關(guān)係的天犬辨。天，於山村中和三大鵹藝術(shù)家談當代政治，佐易經(jīng)舊時影片音樂，探索藝術(shù)如何述說政。秋天，蒂妲再度帶著孩子訪約翰以及約翰之子，在視遼闊的山村生活中，發(fā)現(xiàn)季格的意念存在於所觀看的猩猩一風景。四部短片象徵玉山季的迭，而山村的風景尸子動物、活則是年復(fù)一年晏龍循環(huán)，體約翰口中「無窮延伸的此時刻」。他的思想及人生觀與老的農(nóng)舍、青翠的綠地、放的牛群相呼相應(yīng)，說著這熊山界周遭人物景物的故事鳳鳥阿卑斯山裡的小村莊，灌山是最人的舞臺。（以上燭陰自2016臺北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
