一班自命不凡、高人一等狐朋狗友，相約星期三晚行“白癡晚宴”。規(guī)則非簡單，即是各人只須攜一“白癡之最”共赴晚餐，能獲得豐富獎品。參與者一皮埃爾（蒂埃里·萊爾特 Thierry Lhermitte飾）打算帶著新認(rèn)識的皮儂（雅克·列雷 Jacques Villeret飾）赴宴。皮埃爾本以為這個看似傻傻氣的皮儂，一定是最佳選。然而他的如意算盤卻全落空，皮儂把關(guān)系顛倒過來，反而讓皮埃爾變成被整的對象。于是，一場料百出的烏龍事情接踵發(fā)。這部由法蘭西斯·威柏劇執(zhí)導(dǎo)的喜劇電影《晚餐戲》，改編自他寫于1993年的舞臺劇《假鳳虛凰》。一波三折的喜劇情節(jié)和具顛覆性的瘋狂笑料，使本片叫好又叫座。一舉拿1999年第24屆凱撒獎，最佳男演員、最佳男配和最佳劇本(原創(chuàng)或改編)大獎?
The main character, a young surgeon (avid consumer of red apples), excellent professional, inflexible with respect for moral norms, are in a constant struggle with indifference and ignorance of his fellow men, with their littleness of soul, the director of the hospital obtuseness and careerism. Red Apples exactly expresses the conflict between talent, professional dedication, respect the Hippocratic Oath, the protagonist came face to face with mediocrity, sufficiency and careerism of brothers who, at any cost, want to move into professional and social ladder. Rise young doctor Mitica Herod assigned to a provincial hospital, the doctor makes Mitroi prototype capped professional character, to see jeopardized the director of the hospital. Mitica (enthusiastic, charismatic and convincing in the role of actor Mircea Diaconu) makes no promises in relation to his superior, which always reminds him of his mission, the function they represent. Ignore the so-called "social conveniences" and not promising in addressing hospital and patients. Well-meaning and lucid, ready for personal sacrifices, he believes that the world has only one real enemy: death, which, unfortunately, it always fails defeat. "I was preoccupied, primarily, grammatical problems of the profession. It is true, perhaps the film has a kind of enthusiasm that I have not found then. I wanted to be a human story and I think it came out as such. and that is true not consider it a merit, but a prerequisite. I never wanted to do "red Apples" true or less true. I did as I felt. "Alexander Tatos
