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地區(qū)：坦尚尼亞
類型：歷史
時(shí)間：2025-06-16 21:34:26
阿歷克塞·巴拉巴諾夫
回復(fù) 涂霆駿 : 在某國(guó)立大學(xué)念書的（宮崎葵 配音）與偶然來(lái)校旁聽的男子（澤隆夫 配音）墜入愛(ài)河，即使對(duì)方是一名人，她也義無(wú)反顧投對(duì)方懷抱。此后的歲里，花先后生下女兒雪和兒子小雨。誰(shuí)知運(yùn)突然降臨，溫柔的夫撒手人寰。柔弱而強(qiáng)的花竭盡全力撫養(yǎng)個(gè)孩子長(zhǎng)大，吃穿用，衣食住行 ，無(wú)一不牽扯她的心思。而子狼人的身份也迫使他離開繁華大都市，前寧?kù)o的山野鄉(xiāng)村求生他們?cè)谝粭澒排f的民內(nèi)落腳，小雪頑劣張，小雨纖細(xì)內(nèi)斂，姐倆以狼的身姿穿行于山密林，享受著前所有的快樂(lè)與自由。在期間，以韭崎爺爺（原文太 配音）為代表的村民也給花一家?guī)?無(wú)微不至的關(guān)懷。小和小雨漸漸長(zhǎng)大，他也終于迎來(lái)決定身份前路的重要時(shí)刻……片榮獲第34屆橫濱電影節(jié)評(píng)委會(huì)特別獎(jiǎng)和36屆日本電影學(xué)院獎(jiǎng)最佳動(dòng)畫電影獎(jiǎng)。??
李煉
回復(fù) 趙非 : Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
ChrisW.Freeman
回復(fù) 邁克爾·南金 : Shivani Shivaji Roy is back and this time she's on the trail of a 21 year old merciless villain who targets women.
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